Poets Thinking: Pope,
Whitman, Dickinson, Yeats
Reviewed by Jonathan Kugler
Poets Thinking: Pope,
Whitman, Dickinson, Yeats
By Helen Vendler
Hardcover: $19.95
Helen Vendler, current A.
Kingsley Porter University Professor at
Through this goal, Vendler is trying to create what she did not find in
previous criticism: an interpretation that is “guided by the poem as an
exemplification of its own inner momentum, rather than as an illustration of a
social, philosophical, psychological, rhetorical, or theoretical thesis”
(4). Refreshingly, Vendler
would rather value the specific study of poems as an attempt to understand the
poet’s inner thought process, rather than apply a preformed theory. She feels as though poets themselves
recommend this interpretation of poetry, citing the fact that poets leave
intellectual and emotional clues (what she describes as “implicit instructions
concerning how [poems] should be read”) that “ought to be introduced as evidence
for any offered interpretation” (5).
Here, it is clear that Vendler desires all
interpretations of poetry to be based on the word choice, diction, and the
thought process behind a specific poem, not on surrounding contexts or
theories. Therefore, she believes a
critic’s interpretation “cannot be generalized, but must be approached poet by
poet” (7). This sparks Vendler’s examination of Pope, Whitman, Dickinson, and
Yeats individually.
It is clear through Vendler’s statements that she does not want to create a new
theory of interpretation to be applied during the analysis of poetry. Rather, she wishes to remind the critic of
the importance of the textual clues a poet leaves to his or her reader. These clues, Vendler
holds, are not merely emotional tones, but are intellectual indications of
interpretation.
Vendler’s interpretive reminder allows poetry to be
understood as Emerson’s “metre-making argument.” Her criticism is a revitalizing return to the
undeniable connection between the aesthetical appeal and intellectual intent of
poetry. As a reader, I welcome her
request to remove the tendency to see poems as “static entities,” and agree
with her recommendation to view poets as active and inventive (4). By focusing on the intellectual interpretation
of poetry, Vendler has successfully kept poetry in
the realm of social or political commentary; however, her coupling of poetry’s
intellectual influence with a textual analysis of tone and “reading clues” has
challenged critics from other disciplines to admire poetry for a new reason:
its ability to be both aesthetically appealing and contemporarily
interpretable.
Jonathan Kugler is an
M.A. student at